This third edition of She Lives! combines the material added to the second edition (10th Anniversary Edition) with the material from the original edition, including notated music from the original 1989 edition, much of which had to be omitted from the second edition because of the limitations of the then new technology of digital printing. The only songs for which this Combined Third Edition doesn’t contain notated music are those whose melodies are well known, such as Christmas carols whose lyrics I have rewritten. This edition contains a total of 30 songs, some with dances and one with hand movements.
The Combined Third Edition, then, contains the material from both the first and second editions of the book, plus a few additions and changes found in this edition only. This means that besides the guided meditations and other material added to the Seasonal Rituals, the following material in this edition was not included in the 1989 edition:
—Two new Modern Myths, “Lillian’s Husband,” and “She Who Heals.”
—Reflections on Seasonal Rituals, a section exploring the implications of a variety of seasonal holidays.
—Several additional meditations, including “The Castle,” an extensive guided meditation.
In addition, the Belly Dance material has been expanded: In the Meditations section, “Self-Blessing Belly Dance” instructions have been modified to bring them more in line with how this dance-meditation evolved for me, and to provide information about the origins of belly dancing not widely available at the time this meditation was first written. Also, when I first wrote the Women’s Celebrations I included a belly dance in the celebration for First Orgasm, but being in my twenties at the time I didn’t foresee that this dance would still be appropriate for a woman of 50. When I had my own Menopause Ritual, I performed a belly dance to signify that women’s sexuality can still be strong past our child-bearing years. This dance is included in the Menopause Celebration in this edition.
In this Combined Third Edition only, in the Modern Myth, “The Convent,” I have added an alternative “Hail Mary,” and have deleted a short portion which remains in the closing Meditations section as “Her Words.” In the Autumn section of “Reflections on Seasonal Rituals,” some additional information on All Saints, All Souls, and El Dia de los Muertos has been added. And I’ve added a Song Index at the end of the book.
The value of the Combined Third Edition of this book is at least two-fold: It continues to be a tool for people seeking the divine embodied as female and looking for ways to transition from patriarchal religions or looking for alternatives to firmly-established Pagan traditions that may not fulfill their needs, and it can also be viewed as a part of the record of spiritual feminist thought beginning with the last quarter of the 20th century.
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