Kissing scenes have always been a hot topic in Bollywood, often adding sizzle to films. However, when overused, they can turn into a major drawback. The film 3G – A Killer Connection, released in 2013, is a prime example of this. Despite featuring around 30 lip-lock sequences, the horror-thriller failed to make an impact and ended up being one of the biggest box office flops. Starring Neil Nitin Mukesh and Sonal Chauhan, the film’s excessive kissing scenes even surpassed Emraan Hashmi’s record in Murder. However, instead of attracting audiences, it became infamous for all the wrong reasons.

Why ‘3G’ Became a Bollywood Disaster

Premiering on March 15, 2013, 3G – A Killer Connection received overwhelmingly negative reviews from both critics and audiences. The film struggled to gain appreciation due to its weak storyline and excessive focus on intimate scenes rather than horror elements. Rotten Tomatoes rated it at a dismal 12%, while IMDb scored it only 3.6 out of 10. These poor ratings cemented its status as one of India’s worst films. Despite the hype around its bold content, the film failed to deliver anything substantial, leading to widespread disappointment.

Financial Failure and Box Office Numbers

The film was produced with a budget of approximately ₹13 crore, but it failed to recover its investment. At the domestic box office, 3G could only manage to earn ₹5.48 crore (net), while its worldwide collection stood at a mere ₹7.45 crore. The movie’s financial failure was a significant blow to the cast and crew, and it remains a cautionary tale in Bollywood about the risks of over emphasising steamy content without a strong storyline.

Did Sonal Chauhan Quit Bollywood After 3G?

Following the disastrous performance of 3G, lead actress Sonal Chauhan reportedly distanced herself from Bollywood, choosing to work in regional films instead. Disheartened by the failure, she focused on opportunities in other languages. However, after a hiatus of three years, she made a Bollywood comeback with JP Dutta’s war drama Paltan in 2018. Her return to Hindi cinema proved that despite setbacks, perseverance can pave the way for new opportunities.