Govinda dobara

Actor turned politician Govinda is all set to stage a political comeback. Having joined the Shiv Sena [Eknath Shinde] all eyes are on him whether the actor would get a Lok Sabha ticket. Govinda’s entry in politics was due to Murli Deora, former union minister and father of Milind Deora. It is perhaps more than […]

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Govinda dobara

Actor turned politician Govinda is all set to stage a political comeback. Having joined the Shiv Sena [Eknath Shinde] all eyes are on him whether the actor would get a Lok Sabha ticket.

Govinda’s entry in politics was due to Murli Deora, former union minister and father of Milind Deora. It is perhaps more than a coincidence that both Govinda and Milind are part of the Shiv Sena [Eknath Shinde].

Someone in 1998, Murli Deora had hosted a party in honour of Sonia Gandhi who had taken over as the AICC president. An accomplished and successful actor by now, Govinda was invited to a high-profile political event organized at Murli Deora’s residence to welcome ‘politician’ Sonia Gandhi in Mumbai. Deora’s wife Hema clearly remembers how Murli had led Govinda directly to the table where Sonia was seated and introduced him. The Congress president is said to have remarked, ‘Of course, I know him. My children keep talking about him.’ Govinda was then seated next to her, while the hosts Murli and Hema excused themselves to attend to other guests. Hema recalls noticing from a distance how the actor had Sonia Gandhi in splits several times on that occasion. Congress leaders close to her had then observed that the AICC chief had been instantly struck by Govinda’s simplicity and easy manner and had invited him to pay a visit to 10, Janpath when the actor was next in Delhi – a meeting that would finally materialize in 2003. Govinda maintained that he had great admiration for the Nehru–Gandhi family. ‘I chose the Congress for its thoughts, its acceptance of people of all opinions and its wide perspective,’ he would declare.

In 2004 Lok Sabha polls, Govinda had earned a tag of a giant killer when he had posted a spectacular victory against BJP veteran and former central minister Ram Naik. However, by 2008, the Congress MP from Mumbai North had become disillusioned and made several threats to quit politics. From January–February 2008 till May 2009, his association with the Congress and his parliamentary constituency were minimal. The actor did not campaign for the Congress during the 2009 polls, but the Party’s nominee Sanjay Nirupam won the seat.

Govinda had little to do with the Congress’s ideology or its social programmes and had remained absent for most of the Lok Sabha sessions. In fact, as MP, the actor had earned the dubious distinction of skipping the highest number of Lok Sabha meetings during his tenure (2004–2009) in Parliament, with records showing that he had attended merely 12 per cent of all the Parliament sessions during his five years there. Moreover, the few speeches and remarks he had made in Parliament were deemed ‘politically incorrect’ and a source of embarrassment to the Party leadership.

Govinda remained politically inactive during the second phase of UPA. He was miffed as neither Sonia Gandhi nor prime minister Dr Manmohan Singh offered a Rajya Sabha seat. While speaking to this correspondent then, Govinda would often withhold comments, merely expressing his unwillingness to talk about politics. ‘You are free to draw your conclusions on why I left politics,’ he had told me, avoiding comment on politics and his experience of working with Sonia, Dr Manmohan Singh and the Congress Party. ‘I felt that it would be proper to quit politics because I didn’t have much experience in this field,’ he said by way of explanation.

However, for an actor known mostly for his loud brand of comedy and equally loud outfits, along with his sexual innuendo-laden dialogues and violent pelvic thrusts – all carefully calculated to target and win over the masses, primarily, the front-benchers in the audience – Govinda had been a surprise as a political package. During the tireless rounds of campaigning, the enthusiastic actor often spouted poetry with the same ease with which he had executed his famous ‘latka-jhatkas’, the suggestive dance moves, that had earned him a vast fan following. He also had a quick wit about him: when someone asked him once, if, with Atal Bihari Vajpayee around, more poetry would be recited and there would be more ‘taal-mel’, or harmony, in Parliament, Govinda had retorted: ‘Taal toh zaroor hoga, lekin mel ke bare mein keh nahi sakte (Rhythm will certainly be there, but I can’t be so sure about harmony).’

That was the charm of the ‘Virar ka chhokra’, as the boy from Virar was fondly referred to. Coming from the fringes of society was, surprisingly enough, one of Govinda’s greatest strengths. He was born as Govind Ahuja to a Punjabi family that had settled in Maharashtra and fallen on hard times even before his birth. His mother, the late Nirmala Devi, was a classical vocalist and his father Arun Ahuja, a struggling film actor who is best remembered for his role in Mehboob Khan’s Aurat (1940). Ahuja Senior also produced a film that was a flop.

When Arun Ahuja’s health failed, the family had to leave their upmarket Carter Road bungalow and move to Virar – a far-flung semi-rural Mumbai suburb – where Govinda was born. The youngest of six children – his pet name Chi Chi means the little finger of Lord Krishna that held up the full weight of the Govardhan mountain – Govinda grew up on a diet of films. Since his father was ailing, it was mother Nirmala Devi who would bring up the children through hard times, protecting and nurturing them ‘like a tigress’ does its cubs. ‘We never bought umbrellas,’ Govinda recalled. ‘We thought the rain would only last four months, so why waste money?’ It was a life of genteel poverty, with all the contradictions it entailed. On the one hand, the family attended the concerts of Pandit Ravi Shankar and Birju Maharaj; on the other, they had to contend with endless debts.
Long before Rahul Gandhi’s politically motivated Metro rides to project himself as one of the people, it was Govinda who would board the local train to garner support for his Party. Potential voters felt reassured and warmed to him. ‘Yeh bheedu toh apun ka aadmi hai (This man is one of us),’ they were heard murmuring to each other. A big crowd always accompanied him, talking to him and cheering him on with, ‘Chal, Govinda bhai, chal.’
At times actress Zeenat Aman would be by his side in the election campaign. And contribute her bit by saying, ‘They call us nachne gaane wale. But let me tell you we sell our art for a living, but never our integrity (iman nahin bechte).’ ‘Govinda ala re ala (Govinda is here)!’ he would exclaim, adding, ‘Ram Naik gela re gela (Ram Naik is about to be sent packing).’

In an interview for the Hindustan Times in 2017, Govinda had said, “I am proud to say that whatever I have ever wanted, I have done it my way,’ he would declare. ‘I didn’t have to please anyone to get where I am. I worked towards it. I wanted to be at the top of films, I did it my way. Then I wanted to try my hand at politics, and I did that… In 2009, I wanted to get out of it [politics] without any controversies, and I have to admit, I’m really very lucky to [have managed that]. Now I am here again, entering films, when I want to.’
Having joined hands with Shiv Sena [Eknath Shinde] now, it is becoming increasingly difficult to decide who the real Govinda is: a politician who was used and sidelined; the Entertainer No.1 who seems to have lost his famous sense of humour, along with his youth and cinematic appeal or the simple, carefree Virar ka chhokra who can never go back to being one, because too much has been happening to him all the time.

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