The recent summons of Punjab artists Yo Yo Honey Singh and Karan Aujla by the Punjab State Women’s Commission has opened yet another debate on the responsibility of musicians in forming societal values. The commission has taken suo motu cognizance of complaints regarding the artists’ songs “Millionaire” and “MF Gabhru,” purportedly stating that their lyrics promote misogyny and objectify women. This development shows that public consciousness being affected by music has become a serious concern, and so the entertainment industry is being called more and more into account.
Raj Lali Gill, the chairperson of the Punjab State Women’s Commission, told ANI on Thursday that the commission had written to the state Director General of Police (DGP) requesting prompt action after reviewing public reactions and complaints about specific lyrics and images in Honey Singh and Karan Aujla’s most recent releases.
Both “MF Gabhru,” included in Karan Aujla’s album P-Pop Culture and “Millionaire” from Yo Yo Honey Singh’s Glory album, received a lot of flak for their profanity and derogatory comments about women. The Punjab Women’s Commission under Chairperson Raj Lali Gill has expressed deep concern regarding this issue and stated that such lyrics harm the values of society while disrespecting women. The commission has asked the Director General of Police of the state to act forthwith, summoning both artists to appear before them on August 11, 2025.
Role of Music in Society
Music has been one of the strongest mediums of expression, reflection, and influence. But with power also comes the responsibility to examine the meaning and messages imparted through lyrics and visuals. While artists do use their experiences and societal observations for inspiration, they ought to realize just how far-reaching the influences of their crafts could be on their public, especially the impressionable youth. The songs in question bring out a clear distinction between creative freedom and social responsibility.
With the Punjab Women’s Commission prepared to hear from Yo Yo Honey Singh and Karan Aujla, it is an opportunity for all stakeholders in the music industry to reflect on the content produced by their colleagues, both within and beyond the walls of Punjabi cinema. This incident serves as a reminder that while artistic expression is essential, it should not do so at the expense of propagating stereotypes or disrespecting any community. Henceforth lies a collective duty of ensuring music continues to inspire and entertain, never deviating from ethical benchmarks.
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