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‘SHADOW AND BONE’ HAS ALL THE MAKINGS OF BECOMING NETFLIX’S ‘GAME OF THRONES’
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THE FALCON AND THE WINTER SOLDIER STRIKES STRONG DIALOGUE WITH BLACK LIVES MATTER MOVEMENT AND REFUGEE CRISIS
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‘THE MAURITANIAN’ IS FAR REMOVED FROM THE RUN-OF-THE-MILL FILMS ABOUT TERRORISM
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AGE OF SAMURAI SERVES AS A VERITABLE PRIMER ON THE MOST TURBULENT PERIOD IN JAPANESE HISTORY
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‘NOMADLAND’: A SURVIVAL TALE DEPICTING MODERN-DAY AMERICAN WEST IN NEW LIGHT
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COMPELLING ACTS OF CUMBERBATCH, NINIDZE MAKE ‘THE COURIER’ A GOOD WATCH
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‘Notti Stellate’ screens rare films on India by Rossellini, Pasolini
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Abhimanyu Kukreja’s ‘Rockumentary: Evolution of Indian Rock’ must be commended for its encyclopedic scope and rich historic detail
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BABA AZMI’S UPLIFTING FILM ‘MEE RAQSAM’ ENCOURAGES US TO PURSUE OUR DREAMS
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ALLISON JANNEY SHINES IN AN OTHERWISE HALF-BAKED DARK SATIRE ABOUT THE UNQUENCHABLE AMERICAN DESIRE FOR FAME
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‘OUR FRIEND’ IS REPLETE WITH BEAUTIFUL MOMENTS OF LOVE AND KINDNESS
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WANDAVISION’S SITCOM NOSTALGIA SETS THE STAGE FOR A JAW-DROPPING MID-SEASON TWIST
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‘THE DIG’ IS A COMPELLING DRAMA ABOUT A GREAT ARCHAEOLOGICAL DISCOVERY
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Jared Padalecki’s ‘Walker’ leaves a lot to be desired
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LOADED WITH HOPE AND OPTIMISM, ‘THE LAST COLOR’ IS VIKAS KHANNA’S ODE TO BENARES
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FREE FROM NARRATIVE CONVENTIONS, ‘BHUVAN SHOME’ IS AN UNDISPUTED MASTERWORK
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‘Kaagaz’ marks Satish Kaushik’s emphatic return to direction
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AK vs AK is a pretentious, self-indulgent film that offers little novelty
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Best of 2020: Hindi films and series
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![WHY ‘THE STAND’ IS NOT AN UNWORTHY ADAPTATION OF STEPHEN KING’S SEMINAL DARK FANTASY NOVEL]()
WHY ‘THE STAND’ IS NOT AN UNWORTHY ADAPTATION OF STEPHEN KING’S SEMINAL DARK FANTASY NOVEL
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‘UNPAUSED’: A MIXED-BAG AFFAIR THAT FAILS TO MATCH THE MAGIC OF ‘PUTHAM PUDHU KAALAI’
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THE 6TH KIFF TO SCREEN FILMS IN 700 VILLAGES
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FILMS ABOUT FILMS ARE RARELY AS GOOD AS ‘MANK’
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Bryan Cranston is back in his element in legal drama ‘Your Honor’
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![NAMBIAR’S TECHNICAL MASTERY, RANE’S INTENSITY MAKE ‘TAISH’ UNFORGETTABLE EXPERIENCE]()
NAMBIAR’S TECHNICAL MASTERY, RANE’S INTENSITY MAKE ‘TAISH’ UNFORGETTABLE EXPERIENCE
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Industry: An unapologetic take on the world of high finance
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PRAKASH JHA DELIVERS ANOTHER BINGE-WORTHY CHAPTER OF AASHRAM SAGA
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![WITH ‘SCAM 1992’, HANSAL MEHTA PROVES WHY HE’S OUR OLIVER STONE]()
WITH ‘SCAM 1992’, HANSAL MEHTA PROVES WHY HE’S OUR OLIVER STONE
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Cerebral, albeit misunderstood follow up to the Mirzapur saga
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Despite the misses, Nair’s adaptation is not without its merits
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Ginny Weds Sunny: A confused mess with hardly any novelty
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A revisionist take on a crucial but oft-forgotten slice of America’s violent past
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Serious Men is a powerful satire about the times we live in
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Timely and combustible ‘The Comey Rule’ serves as a veritable primer on US politics
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Despite its shortcomings, conspiracy thriller Utopia is ideally suited for Covid-19 times
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Despite the misses, Abhay’s JL50 holds promise for the future of Indian sci-fi films
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The Boys are back with a bigger, darker second season
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22 Years of ‘Dil Se’: An unforgettable ode to doomed love
